Klang Systematiek

The ensemble was born through a shared exploration of Karlheinz Stockhausen’s Aus den Sieben Tagen, a project that laid the foundation for Klang Systematiek’s artistic ethos: to reimagine canonical works of experimental music as living, open systems. By combining performers from diverse practices and generations, the group seeks to dissolve the boundaries between notation and intuition, composition and improvisation, performance and installation.

Klang Systematiek’s productions often reframe performance as an immersive, communal experience. Concerts focus on physical spaces, often avoiding traditional staging, use responsive live lighting, and engage with the audiences allowing them to be free to move or lie among the performers. These environments invite listening as a shared act of presence rather than a passive observation. The ensemble’s instrumentation and staging are fluid, adapting to each project to uncover new resonances between space, sound, and perception.